Tragedia y filosofía: Eurípides y los antecedentes de la dialéctica socrático-platónica

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María Teresa Padilla Longoria

Resumen

This article proposes that: I. The dialogic content of Euripides tragedies includes a poetic reflection on the human tragic condition. Because of our human insufficiency we need communication and completion. Drama pictures a way of completion in its heroic characters. The dramatist portrays them in such a way that we can appreciate the process in which they acquire this tragic self-consciousness through well-defined conversations. The moral message of these tragic conversations is central insofar as it contains two main points: a proposal of a model of man and a communitarian model of humanity. II. In the particular case of Euripides the dialogic form is central because he illustrates with his tragedies a specific mode of verbal intercourse that has many formal similarities to  the Socratic-Platonic idea of dialectic as a philosophical method of conversation through questions and answers.

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Cómo citar
Padilla Longoria, M. T. (2003). Tragedia y filosofía: Eurípides y los antecedentes de la dialéctica socrático-platónica. Theoría. Revista Del Colegio De Filosofía, (14-15), 135–151. https://doi.org/10.22201/ffyl.16656415p.2003.14-15.308
Sección
Presencia de Sócrates