Lady Lazarus: resucitaciones de la obra y la figura de Sylvia Plath

AXELROD, Steven Gould. (1990). Sylvia Plath: The Wound and the Cure of Words. The Johns Hopkins University Press. DOI: https://doi.org/10.56021/9780801839955

BADIA, Janet. (2011). Sylvia Plath and the Mythology of Women Readers. University of Massachusetts Press.

BAYLEY, Sally; Brain, Tracy (Eds.). (2011). Representing Sylvia Plath. Cambridge University Press. DOI: https://doi.org/10.1017/CBO9780511902697

BLOOM, Harold. (2001). “Introduction”. En Harold Bloom (Ed.), Sylvia Plath (pp. 9-10). Chelsea House.

BRAIN, Tracy. (2001). The Other Sylvia Plath. Longman.

BRAIN, Tracy (Ed.) (2019). Sylvia Plath in Context. Cambridge University Press. DOI: https://doi.org/10.1017/9781108556200

CLARK, Heather. (2024). Sylvia Plath. A Very Short Introduction. Oxford University Press. DOI: https://doi.org/10.1093/actrade/9780198841470.001.0001

CROWTHER, Gail; STEINBERG, Peter K. (2017). These Ghostly Archives: The Unearthing of Sylvia Plath. Fonthill Media.

ESCUTIA ANGULO, Alejandra. (2023). Voces líricas femeninas vs. la violencia patriarcal: un estudio sobre el uso de las imágenes de muerte y resurrección en la escritura de Sylvia Plath y Taylor Swift. (Tesina de licenciatura, Universidad Nacional Autónoma de México, México). Recuperado el 27 de noviembre de 2024 de 132.248.9.195/ptd2023/marzo/0837074/Index.html

GILL, Jo (Ed.). (2006). The Cambridge Companion to Sylvia Plath. Cambridge University Press. DOI: https://doi.org/10.1017/CCOL0521844967

GILL, Jo. (2008). The Cambridge Introduction to Sylvia Plath. Cambridge University Press. DOI: https://doi.org/10.1017/CBO9780511817007

HELLE, Anita (Ed.). (2007). The Unraveling Archive: Essays on Sylvia Plath. The University of Michigan Press. DOI: https://doi.org/10.3998/mpub.128841

HELLE, Anita. (2022). “Introduction: Approaching Sylvia Plath in the Twenty-First Century”. En Anita Helle, Amanda Golden y Maeve O’Brien (Eds.), The Bloomsbury Handbook to Sylvia Plath (pp. 1-13). Bloomsbury. DOI: https://doi.org/10.5040/9781350119253.ch-I

HELLE, Anita; Golden, Amanda; O’Brien, Maeve (Eds.). (2022). The Bloomsbury Handbook to Sylvia Plath. Bloomsbury. DOI: https://doi.org/10.5040/9781350119253

HOWE, Irving. (1973). The Critical Point, on Literature and Culture. Horizon Press.

HUGHES, Frieda. (2004). “Foreword”. En Sylvia Plath, Ariel. The Restored Edition (pp. xi-xxi). Harper Perennial.

WAGNER-MARTIN, Linda. (2006). “Plath and Contemporary American Poetry”. En Jo Gill (Ed.), The Cambridge Companion to Sylvia Plath (pp. 52-62). Cambridge University Press. DOI: https://doi.org/10.1017/CCOL0521844967.004

PEEL, Robin. (2002). Writing Back: Sylvia Plath and Cold War Politics. Fairleigh Dickinson University Press.

PLATH, Sylvia. (1981). “Lorelei”. En Ted Hughes (Ed.), The Collected Poems (pp. 94-95). Harper and Row.

ROSE, Jacqueline. (1992). The Haunting of Sylvia Plath. Harvard University Press.

SPENCER-REGAN, Eleanor. (2018, 30 de mayo). “Here’s why Taylor Swift is the new Sylvia Plath” (en línea). Independent, Voices. Recuperado el 2 de septiembre de 2024 de https://www.independent.co.uk/voices/taylor-swift-look-what-you-made-me-do-sylvia-plath-poet-songwriter-lyrics-singer-a7957011.html

ROOSEVELT HOUSE PUBLIC POLICY INSTITUTE AT HUNTER COLLEGE. (2023, 5 de julio). The Sylvia Plath Symposium at Hunter College — Session One: The Work [Archivo de video]. YouTube. https://www.youtube.com/watch?v=QEfxKxYUgBo