Barbarie y subjetividad: el caso de Garage Olimpo
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Abstract
The article analyzes the film ‘Garage Olimpo’ through the figures of the victim and the ‘victimary’ or agressor. Grounded on Walter Benjamin, Homi Bhabha and Michel Foucault, it seeks to acknowledge the need of historical memory as a way of preventing the repetition of barbarism and of promoting intergenerational transmission.
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How to Cite
Echavarría Canto, L. (2015). Barbarie y subjetividad: el caso de Garage Olimpo. Theoría. Revista Del Colegio De Filosofía, (28), 147–157. https://doi.org/10.22201/ffyl.16656415p.2015.28.479
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Section
Dossier: Philosophy and Film